Возможно, Любовь (2005) Perhaps Love ☆ Ru Guo · Ai

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Tags: Perhaps Love, Ru Guo · Ai, 2005, Китайский фильм, Гонконг фильм, Малазийский фильм, Драма, Мюзикл, Романтика, азиатское кино

«Но уникальность ленты в том, что, несмотря на вторичность своих отдельных компонентов, на выходе все равно получается кино самобытное, страстное и, как ни странно, необычное. ... В фильме отличные декорации, костюмы и хореография, он бесподобно, очень стильно и выразительно заснят – Питер Пау постарался.»

«Chan described Zhou Xun as a “very likeable and emotionally effecting girl who can make you cry”.

“In Takeshi’s case, he was the only actor I knew who looks naive enough to love someone for 10 years,” Chan laughed.

“As for Jacky, there is really no one else in the region who can sing and act as well as he can.” »

«Peter Chan's musical has its share of missteps, but on the whole Perhaps Love is an ambitious and worthwhile effort, and easily one of the best Hong Kong films of 2005. Just don't let enlarged expectations of warm fuzzies get in the way.»

«The content just doesn’t suit the form and Chan himself almost seems to be apologizing for that by couching the musical numbers as nothing more than a part of the film his characters are working on.»

« The strongest selling point of this movie is its musical genre. Unlike traditional Shaw Brothers or Cathay musicals, this one will remind audiences more of big-scale musicals like Chicago, The Phantom of the Opera and Moulin Rouge! Not that this is a bad thing though, because the director has successfully used this genre to tell the story.»

«This is a musical within a musical, and a beautifully choreographed one at that. First thoughts will be, hey, it looks like Moulin Rouge, with big colourful sets, dancers, singers, stunts, and songs with meaningful lyrics. ... Peter Chan has crafted a beautiful masterpiece of a musical for the Hong Kong film industry.»

«Perhaps Love may not be the all-smiles Hollywood extravaganza we usually think of when we consider the genre, but that doesn't make it any less true to the form. The filmmakers here are just putting a Chinese stamp on it, their response to the musicals they love, and like the characters in their story, picking up the pieces of the past to fix up a whole new present.»

«Basic weakness of Aubrey Lam and Raymond To's script is the same as the film's approach to its musical numbers: there's no unifying style. ... From midpoint on, as Zhou and Kaneshiro are allowed more space, the central love story does start to engage.»